Inhoudsopgave:
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This book posits that Shakespeareâs First Tetralogy draws inspiration from the Italian âpolitic historiesâ of the early modern period. These works of history, influenced by the Roman historian Tacitus, delve into the exploration of the machinations of power politics in governance and the shaping of historical events. The argument is that closely analysing these Italian âpolitic historiesâ can significantly enhance our understanding of the âpoliticâ aspects dramatized in Shakespeareâs early English History plays. Specifically, the writings of Niccolo Machiavelli are highlighted as contributing to this understanding. These âpolitic historiesâ were accessible (in a variety of forms) to many English early modern writers, including Shakespeare. Thus, they serve as foundation for political and strategic analogies, enriching our interpretation of Shakespeareâs politic histories. While delving into the Italian âpoliticâ historians can illuminate Shakespeareâs achievement, it is suggested that we should regard the English History plays as âpolitic historiesâ in their own right. In essence, they are dramatized versions of precisely the same kinds of âpoliticâ historical writing, with its emphasis on ragion di Stato or raison dâétat. This emphasis on what the Elizabethans called âstratagemsâ introduces new approaches to interpreting the plays. Considering the motivation and action of its characters entails novel approaches that challenge the established reading of the playsâ âMachiavellianâ characters (particularly Richard III) and shed light on previously overlooked characters (particularly Buckingham and Stanley), revealing their considerably greater strategic acumen. This exploration provides fresh avenues for reading the Shakespeareâs politic histories and better appreciate their Italian connection. |
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