This book analyzes Walt Disneyâs impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disneyâs full-length animated features of the âgolden eraâ as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one manâs singular, perverse desire. What follows after is a discussion of the âsecond golden ageâ of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
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