\u003cdiv\u003e\u003cp\u003e\"Sergio Pitol is not only our best active storyteller, he is also the bravest renovator of our literature.\"\u0026#8212;\u0026#193;lvaro Enrigue in \u003ci\u003eLetras Libres\u003c/i\u003e\u003c/P\u003e\u003cp\u003e\"Pitol is probably one of Mexico's most culturally complex and composite writers. He is certainly the strangest, most unfathomable, and eccentric. . . . [His] voice . . . reverberates beyond the margins of his books.\"\u0026#8212;Valeria Luiselli, author of \u003ci\u003eFaces in the Crowd\u003c/i\u003e\u003c/P\u003e\u003cp\u003e\"Reading him, one has the impression . . . of being before the greatest writer in the Spanish language in our time.\"\u0026#8212;Enrique Vila-Matas\u003c/P\u003e\u003cp\u003e\u003ci\u003eThe Journey\u003c/i\u003e features one of the world's master storytellers at work as he skillfully recounts two weeks of travel around the Soviet Union in 1986. From the first paragraph, Sergio Pitol dislocates the sense of reality, masterfully and playfully blurring the lines between fiction and fact.\u003c/P\u003e\u003cp\u003eThis adventurous story, based on the author's own travel journals, parades through some of the territories that the author lived in and traveled through (Prague, the Caucasus, Moscow, Leningrad) as he reflects on the impact of Russia's sacred literary pantheon in his life and the power that literature holds over us all.\u003cp\u003e\u003ci\u003eThe Journey\u003c/i\u003e, the second work in Pitol's remarkable \"Trilogy of Memory\" (which Deep Vellum is publishing in its entirety), which won him the prestigious Cervantes Prize in 2005 and inspired the newest generation of Spanish-language writers, represents the perfect example of one of the world's greatest authors at the peak of his power.\u003c/div\u003e
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