\u003cdiv\u003e\u003cp\u003e\u0026ldquo;Nearly everything about David Adjmi\u0026rsquo;s \u003cI\u003eStunning\u003c/I\u003e has an original ring to it, from the setting . . . to the brassy bleat of the dialogue.\" \u0026ndash;\u003cI\u003eTime Out New York\u003c/I\u003e\u003c/p\u003e\u003cp\u003eThis volume of distinctive work includes \u003cI\u003eStunning\u003c/I\u003e, set in an insular Syrian Jewish community, where a teenage bride\u0026rsquo;s world is disrupted by her intellectual African American housekeeper; \u003cI\u003eEvildoers\u003c/I\u003e, about the collapse of two privileged couples; and \u003cI\u003eElective Affinities\u003c/I\u003e, a post-9/11 monologue.\u003c/p\u003e\u003cp\u003e\u003cB\u003eDavid Adjmi\u003c/B\u003e\u0026rsquo;s work has been produced at Lincoln Center Theatre, Yale Repertory Theatre, Woolly Mammoth, and the Royal Court in London. He has received numerous commissions and is the recipient of a 2009 Kesselring Fellowship and a Bush Artist Fellowship.\u003c/p\u003e\u003c/div\u003e
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